Registered by : Government of Karnataka Under Indian Trust Act 1982
The Trust Registered under the Indian Trusts Act, 1882. The Trust is established with the primary objective of fostering co-operation among cinema makers across India, protecting the interests of technicians, and promoting the growth of the Indian film industry on a national and global scale.
ALL INDIA COLLABORATIVE CINE MAKERS FILM BOARD COUNCIL TRUST
ABOUT
What is the primary purpose of this trust?
The trust acts as a co-operative support system for independent filmmakers in India. Its goal is to decentralize the film industry, and making the Movies by collaborate system or joining hands by shares for the movie projects to making it easier for “Pan India Movie” makers (those creating content in multiple languages like Hindi, Telugu, Tamil, Malayalam Kannada, etc.) to get their projects recognized, registered, and protected without needing a massive studio’s backing.
It is a Non government body?
Yes. Based on current industry records, this is a private trust/co-operative association. While it performs similar roles to government bodies (like title registration), it is a non-governmental organization (NGO/Trust) formed to protect the interests of its specific members. And keep all members who works in similar professional and to make new cinemas by co operative film making system
What services does the Trust provide to filmmakers?
Title Registration: Legalizing the name of your movie, and film story so others cannot use it. And also we register the Production house under out trust
Artist/Technician Cards: Providing valid ID cards for actors, directors, and crew members which are often required for insurance and on-set safety.
Pan-India Support: Assisting with the logistics of releasing a film across different Indian states.
Co-operative Funding/Resources: Networking opportunities to find distributors, exhibitors, and investors within the co-operative circle.
Awards: Types of Pan-India Film Awards for below with different categories for
Tollywood, Kollywood, and Mollywood) and Bollywood.
Artists: Awards for Best Actor/Actress, Supporting Roles, and “Lifetime Achievement” for long service to the industry.
Directors: Focuses on “Excellence in Direction” and “Debut Director” awards for those bringing new storytelling techniques to Pan-India cinema.
Producers: Recognition for “Best Production Values” or “Socially Responsible Cinema.” This often includes the National, State, District Awards for films on National Integration.
Stories & Writers: Awards for Best Original Story, Screenplay, and Adapted Story. These are crucial for Pan-India films that need to resonate across different cultures.
Service Focus: “Service-related” awards often prioritize the technical crew (Cinematographers, Sound Designers, and Editors) who may not get as much mainstream media attention as the actors.
Co-operative Benefits: Being part of a Film Chamber or Trust often provides filmmakers with legal support, distribution help, and access to international film markets like the Film Bazaar.
Stage Show and Talent award : this awards are related for National State District Awards for Fashion Show, Beauty Contest, Dance Computation, and etc
Training and Skill development Programs : Being part of a Film Chamber or Trust often provides filmmakers with legal support, distribution help, and access to international film markets like the Training and Skill Development Programs and certificate coerces related to cinema
How is a “Co-operative” different from a standard Film Chamber?
In a standard chamber, decisions are often driven by big producers. In a Co-operative, the members (the makers themselves) have a more direct say. It is focused on mutual benefit, meaning the trust aims to reduce the costs of production and distribution for its members by pooling resources.
Can I register a movie for OTT or YouTube through this trust?
Yes. Modern trusts like the National Film Chamber often cover digital content, web series, and independent “New Age” cinema, not just traditional theater releases.
How do I verify if my membership is legitimate?
Always check for the following:
Registration Number: Ask for their Trust Deed registration number
Official Certificate: Any title you register should come with a stamped certificate from the National Film Chamber or ALL INDIA COLLABORATIVE FILM MAKERS CHAMBER OF TRUST.
Core Vision and Mission
The primary vision of this trust is to democratize film production by moving away from the “studio-monopoly” model and fostering a community-driven approach.
Pan-India Integration: Breaking linguistic barriers to help regional filmmakers (Kannada, Telugu, Tamil, Marathi, etc.) reach a national audience under a unified “Pan-India” banner.
Empowering Grassroots Talent: Providing a platform for new actors, technicians, and producers who may not have access to major production houses.
Economic Sustainability: Using the “Co-operative” model to pool resources, reducing the financial risk for individual small-scale producers.
Professional Identity: Issuing recognized “Artist Cards” and “Production House” registrations to provide legal and professional standing to workers in the unorganized sectors of the industry.
Objective Description
Title Registration Providing a formal system to register movie titles, specifically for Pan-India projects, to prevent copyright disputes.
Welfare & Benefits Offering “Artist Cards” that provide members with professional recognition and access to industry-specific benefits.
Infrastructure Support Facilitating collaborations between production houses to share equipment, sets, and technical expertise.
Market Expansion Assisting small-budget films in finding distribution channels across different states and digital platforms.
The ALL INDIA COLLABORATIVE CINE MAKERS FILM BOARD COUNCIL TRUST TRUST is and Independent Film Org. and it appears to be a specialized professional organization, often associated with the Karabhari Motions Co-Operative Film Chamber Association (KMCFCA). File Attached
While it is distinct from (KMCFCA). its vision is centered on creating a self-sustaining, cooperative ecosystem for independent and regional filmmakers across India.
Core Vision and Mission
The primary vision of this trust is to run Karabhari Films Production House moving for Pan India Movie Pre Production, Production, Post production and Distributing of films across globe
Pan-India Integration: Breaking linguistic barriers to help regional filmmakers (Kannada, Telugu, Tamil, Marathi, etc.) reach a national audience under a unified “Pan-India” banner.
Empowering Grassroots Talent: Providing a platform for new actors, technicians, and producers who may not have access to major production houses.
Economic Sustainability: Using the “Co-operative” model to pool resources, reducing the financial risk for individual small-scale producers.
Professional Identity: Issuing recognized “Artist Cards” and “Production House” registrations to provide legal and professional standing to workers in the unorganized sectors of the industry.
Summary of Philosophy
The “Co-operative” element is central to its identity. It operates on the belief that collective institutional strength is the best way for individual creators to capitalize on global opportunities. It acts as a bridge between the creative aspirations of independent filmmakers and the complex commercial requirements of the modern Indian film market.
DEED OF TRUST
NAME OF THE TRUST:
ALL INDIA COLLABORATIVE CINE MAKERS FILM BOARD COUNCIL TRUST
Trustees
Rajavenkatesh D Karabhari
Residing at: Karabhari Films, Ashok Road, Health Camp, Betageri Gadag T / D Gadag, Karnataka
Board of Trustees:
Chairperson / President : Rajavenkatesh D karabhari
Secretary : Mary Rajavenkatesh karabhari
Registered Office
The registered office of the Trust shall be situated at:
Karabhari Films, Ashok Road, Health Camp,
Betageri Gadag T / D Gadag, 582102Karnataka
Objects of the Trust
The Trust is established for the following charitable and professional advancement purposes across Karnataka state and the trust may appoint its branches at other states of India by getting registration at the other state registration authorities and the trust will be focus only on cinema related programs focusing and the name used in the title as ALL INDIA COLLABORATIVE CINE MAKERS FILM BOARD COUNCIL TRUST will be not misused in any purpose.
The core mission of these bodies is to foster a “Good Cinema Movement” by supporting high-quality, socially relevant films. Key objects include:
Promotion of Cinema: To promote, develop, and protect the interests of cinema makers, producers, and technicians across all Indian languages.
National Integration: To act as a “Pan India” chamber that bridges the gap between regional film industries (Bollywood, Tollywood, Kollywood, etc.).
Skill Development: To organize workshops, seminars, and training programs to enhance the technical and creative skills of film professionals.
Welfare Schemes: To initiate welfare funds for the benefit of indigent artists, technicians, and workers in the film industry.
Standardization: To establish ethical guidelines and standard operating procedures for film production and distribution in India.
Advocacy: To represent the film industry before State and Central Governments regarding policies, taxation (GST), and piracy laws.
Planning & Promotion: Creating an integrated and efficient development strategy for the Indian film industry in line with national economic policies.
Fostering Excellence: Encouraging films that exhibit cinematic, thematic, and aesthetic brilliance.
Nurturing Talent: Supporting debutant filmmakers by providing 100% financing for their first feature films or through script development workshops.
Cultural Diversity: Promoting films in various Indian languages to reflect and preserve the country’s rich cultural heritage.
Industry Support and Infrastructure
Financial Assistance: Providing loans or equity for the production of feature films, documentaries, and short films.
Distribution & Marketing: Organizing domestic and international film festivals and facilitating the exhibition of Indian films in global markets (e.g., the Film Bazaar).
Skill Development: Offering vocational training and certification in specialized areas like animation, cinematography, and film editing.
Preservation and Documentation
Following the 2022 merger of several Indian film units, the unified national film body now oversees:
National Film Archive: To trace, acquire, and preserve national cinematic heritage for posterity.
Restoration: Digitizing and restoring old and rare films to ensure they are available for future generations.
Documentation: Acting as a central repository for film-related data, posters, song booklets, and photographs.
Regulatory and Protective Roles
If referring to a “Chamber of Commerce” style trust, the objects also include:
Unity and Protection: Acting as a movement against monopoly and piracy.
Healthy Competition: Promoting fair trade practices among producers, distributors, and exhibitors.
Single Window Facilitation: Easing the process of filming in India for both domestic and foreign filmmakers through hubs like the India Cine Hub
Development and Excellence
Encouraging Talent: Identifying and nurturing “First Generation” filmmakers and technicians through training programs and workshops.
Promoting Quality Cinema: Financing and producing socially relevant films that reflect Indian culture and ethics, often as an alternative to purely commercial or foreign-influenced media.
Script Development: Providing grants and technical support for high-quality storytelling in various regional Indian languages.
Preservation of Heritage
Archiving: Operating as the national custodian to trace, acquire, and preserve India’s cinematic heritage (celluloid films, posters, photographs, and audio).
Restoration: Digitizing and restoring old classics to ensure they are available for future generations.
Documentation: Classifying and maintaining data pertaining to films for research and educational purposes.
Global and Domestic Promotion
Film Festivals: Organizing and participating in international film markets (like Cannes) and domestic festivals (like the International Film Festival of India – IFFI).
Film Tourism: Collaborating with various states to promote India as a global filming destination.
Market Expansion: Facilitating the distribution and export of Indian films to international audiences.
Infrastructure and Industry Support
Technical Facilities: Providing affordable access to studios, editing labs, and high-end cameras to small-scale and independent producers.
Welfare and Education: Establishing scholarships, awards, and stipends for students of cinema.
Regulatory Liaison: Acts as a bridge between the government and the film industry regarding policies, taxes, and copyright laws.
Corpus of the Trust
The Settlor hereby settles a sum of ₹[Amount, e.g., 10,000/-] as the initial corpus (Settlement Fund). The Trust may also accept donations, grants, and subscriptions from members or government bodies.
Powers and Duties of Trustees
Management: The Trustees shall manage the affairs of the Trust and have the power to appoint staff or committees.
Bank Account: To open and operate bank accounts in the name of the Trust.
Legal Action: To sue or be sued in the name of the Trust through the Secretary/Chairperson.
Property: To purchase, lease, or sell immovable and movable property for the benefit of the Trust’s objects.
Membership
Any Indian citizen who has experience in arts culture cinema and acting sector or who want to take his or her carrier in the Acting or Cinema Sector can become a member of trust
Membership Fees: Trust joining first 50 members membership fees will be free from every sector for trust development reason and after 50 members Membership fees will be Rs; 100/- for every and year closing month will be on the of March apart of Personal Membership trust will be make membership for Stories, Titles, Production House, Studio, production units and other memberships for different sectors of cinema and film making sectors and the charges of other membership will be decided at committee meeting.
For every sector members trust will be provide Membership letter, Sector Card Like Artist, Producer, director etc
General Provisions
Irrevocability: This Trust is irrevocable.
Utilization of Funds: The income and property of the Trust shall be applied solely toward the promotion of the objects set forth. No portion shall be paid as dividends or profit to the Trustees OR Settlor
Dissolution: In the event of dissolution, the remaining assets shall be transferred to another Trust with similar objects and shall not be distributed among the Trustees.
Rules and Regulations
(Bylaws)
These rules define how the Trust is managed and how decisions are made.
Executive Committee & Governance
Executive Committee : The Trust shall be managed by an Executive Committee (EC) consisting of a President, General Secretary, and the Committee can manage or elect the next general bodies like national state district sub district and also can manage regional zone for national and state and the Executive Body can keep the supreme authority on every body
Composition: The Trust shall be managed by an Executive Committee (EC) consisting of a President, Vice president General Secretary, Secretary,
Term of Office: Each elected officer shall serve a term of [e.g., 3 or 5] years. A member can be re-elected for a maximum of two consecutive terms.
Powers of the President: The President shall preside over all meetings and have a “Casting Vote” in case of a tie in decision-making.
Meeting Protocols
Quorum: Minimum one-third (1/3rd) of the total members must be present to validly conduct a General Body Meeting.
Annual General Meeting (AGM): Must be held once every financial year to approve accounts and discuss the annual roadmap.
Notice Period: A minimum of 15 days’ notice must be given to members via email or registered post for any General Body Meeting.
Financial Management
Bank Account: Shall be operated jointly by the Treasurer and either the President or the General Secretary.
Funds Usage: Income and property of the Trust shall be applied solely toward the promotion of the objects of the Trust. No portion shall be paid as a dividend or profit to members
Pan-India Regional Structure Plan
Since trust name specifically includes “Pan-India,” a centralized office in one city may not be enough. Here is a recommended structure to manage regional film industries (Bollywood, Tollywood, Kollywood, Mollywood, etc.):
Regional Zones
To effectively manage interests, divide the Chamber into five zones:
North Zone (New Delhi/Mumbai): Focus on Hindi, Punjabi, and Haryanvi cinema.
South Zone (Hyderabad/Chennai/Bengaluru/Kochi): Focus on Telugu, Tamil, Kannada, and Malayalam cinema.
East Zone (Kolkata/Guwahati): Focus on Bengali, Odia, and North-Eastern languages.
West Zone (Mumbai/Ahmedabad): Focus on Marathi and Gujarati cinema.
Central Zone: Focus on regional dialects and emerging folk cinema.
Regional Committees
Each Zone should have a Regional Chairperson who reports to the National Trust. This allows the Chamber to:
Address language-specific censorship issues.
Liaise with different State Film Development Corporations.
Manage local disputes between regional producers and workers.
ALL INDIA COLLABORATIVE CINE MAKERS FILM BOARD COUNCIL TRUST
MISSION
To empower and unify the film industry by providing a strategic platform for advocacy, professional development, and the protection of creative interests to foster sustainable cinematic growth.
VISSION
To be the preeminent catalyst for a globally competitive and sustainable film industry that celebrates cultural heritage while achieving excellence in cinematic innovation and economic impact.
AIM
To drive the comprehensive growth and professionalization of the film industry by standardizing practices, facilitating strategic partnerships, and advocating for policies that ensure long-term commercial and creative success.
ORGANIZATION
we are the primary representative body and regulatory authority designed to unify film industry stakeholders, uphold professional standards, and drive, the collective growth and sustainability of the cinematic sector.
Rajavenkatesh D Karabhari Mary Rajavenkatesh Karabhari
(Raa Dea Karabhari) (Mary RaaDea)
President / Chairperson General Secretary
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